Women in Woodworking: The Complete History

|Angela Malagon
Women in Woodworking: The Complete History
Sawdust & Ponytails · History

Women in Woodworking: The Complete History

From invisible to unstoppable — they were always there. History just wasn’t looking.

Pillar Content For female makers, builders & DIY creatives ~12 min read

If you’ve ever felt out of place picking up a power tool — like you wandered into someone else’s territory — this article is for you. Women have been shaping, cutting, joining, and building with wood for as long as woodworking has existed. They ran workshops in medieval Europe. They invented the circular saw. They built furniture for royalty, filed patents, and trained generations of craftspeople — often without credit, often without recognition, and almost always without being written into the history books.

That ends here.

The ancient world: building was everyone’s work

Before trades were codified and guilds drew rigid lines around who could work, wood was simply material — and whoever needed something built, built it. Archaeological evidence suggests woodworking dates back at least 400,000 years, long before any notion of the craft as gendered.

In ancient Egypt, China, Rome, and Japan, woodworking was embedded in the daily life of households and communities. The family unit was the workshop. Everyone participated. The idea that only men shaped wood is a much later invention — and a relatively recent one at that.


Medieval Europe: the family workshop economy

Here’s what the history books got wrong: medieval women weren’t passive bystanders in craft trades. They were active participants.

The family workshop was the backbone of the medieval economy, and master craftsmen were generally expected — sometimes required — to be married. A craftsman’s wife managed accounts, supervised apprentices, kept the workshop running when her husband was away, and often worked alongside him at the bench.

“Learn all the shop details so that she can properly supervise the workers when her husband is away or not paying attention.”

— Christine de Pizan, Treasure of the City of Ladies, 1405

One of the most remarkable documentary finds is the Balthasar Behem Codex of 1505 from Kraków — guild charter illustrations that show women working directly alongside men in both a carpenter’s shop and a cooper’s workshop. Not watching. Working.

What the Livre des Métiers found

Researcher Janice Archer’s analysis of 13th-century French trade records found women listed in woodworking categories including barrel-making, bed frames, armoires, doors, windows, carts, scaffolding, strong boxes, and roofing. Two-thirds of documented working women were employed outside the traditional “women’s work” categories entirely.

Why history forgot them

Women were frequently recorded under their father’s or husband’s name, or identified by words simply meaning “woman.” The illustrated manuscripts we use as historical evidence were paid for by aristocratic patrons who wanted an idealized image of the world — not an accurate one. Early historians concluded women’s workshop roles were purely “supportive” — a conclusion that modern scholarship has decisively overturned.

The erasure wasn’t accidental. But it also wasn’t total.


Key moments: a timeline of firsts


1405
Christine de Pizan documents craftswomen
The first major written acknowledgment that women ran and operated craft workshops across Europe.

1505
Balthasar Behem Codex illustrated
Guild illustrations from Kraków show women actively working in carpentry and cooperage — not just observing.

1810–13
Tabitha Babbitt invents the circular saw
The Massachusetts Shaker watched men waste energy with pit saws and designed a blade that cut continuously. Her community’s religious ethic prevented patent filing. The invention changed woodworking forever — her name didn’t make it into the record.

1842
First female woodworking author published
A Miss Gascoigne of Yorkshire published The Handbook of Turning anonymously. It was reprinted for decades. She knew her craft cold.

Early 1800s
Anne Paulin Crepin patents bandsaw blade welding
The French inventor developed a method for welding bandsaw blades to make them durable enough for industrial use.

1910–13
Juliette Caron: first female compagnon in France
Documented working a major construction site at roughly one-third men’s pay. There are at least five postcards of her. She never received the profits.

1997
Judy Gale Roberts inducted into the Woodworking Hall of Fame
The first woman — and one of only the first 10 people — inducted into Wood magazine’s Hall of Fame. She largely drove the modern revival of intarsia.

2010s–now
The maker movement goes public
Instagram, YouTube, and DIY communities let women show their work directly — without gatekeepers, without permission. Thousands of isolated makers found each other.

World Wars I & II: women hold the trades together

The two world wars created what guilds and factory floors hadn’t: the straightforward necessity of women doing every job men had been doing — because the men were gone.

Women entered shipyards, factories, and construction sites in massive numbers. When the wars ended, most were summarily dismissed as veterans returned. The dissatisfaction of women who had proven themselves fully capable — and were then sent home anyway — contributed directly to the feminist movements that followed in the 1960s.


Where we are now

1.8%
Women among professional carpenters (US Dept. of Labor)
87%
Women among Etsy handmade product sellers
Faster job growth for women in construction vs. industry overall

The numbers in the trades are still catching up. But at the hobbyist and maker level, the picture is dramatically different — and social media is actively reshaping who gets to define what a woodworker looks like.

“Telling yourself you can be a woman woodworker is one thing, but when you actually see other women in your field — that is something totally different. It validates your efforts and instincts.”

— Amy Umbel, greenwood carver

“The maker community has exploded recently,” woodworker April Wilkerson has noted. “It’s an isolating profession, and now there are thousands of individual, isolated people, and we’ve all found each other.”


The through line

Women have always built things. In medieval Kraków, in Shaker communities in Massachusetts, in wartime shipyards, in studio furniture workshops, in garages and basements with YouTube playing on a laptop and sawdust on the floor.

They were stopped by guild restrictions, pay discrimination, legal exclusion, and cultural pressure to stay in a different room. When those barriers moved even slightly, women walked through.

The question was never whether women could build. It was whether they’d be allowed to — and whether the record would say they had.

This is part of that record.

Sawdust & Ponytails — calm, capable, and absolutely in control.

Sources & further reading

  • Lost Art Press — “Women in the Workshop” series (Suzanne Ellison, 2016)
  • American Craft Council — “This Is My Work: The Rise of Women in Woodworking” (2018)
  • Axminster Tools — “Women in Woodworking: Past, Present and Future”
  • Family Handyman — “History of Women in Construction”
  • Core77 — “Women Woodworkers in 19th-Century England”
  • Woodworking Network — “Women in Woodworking: Breaking Down the Barriers”
  • U.S. Department of Labor occupational employment statistics
  • Sensible Digs — DIY Statistics 2026

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